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Tale 63 · The Vāsiṣṭha Atlas

The Great Inquiry: King Prajñapti's Questions

Nirvāṇa · second half · Mitra VI.2.206–208 · 4,614 words

A king's questions meet one answer: the mind makes its world.

Bhūmikā 2 · Vicāraṇā (inquiry)LightYour ally · Reaching the Peak

The essence

Prajñapti, king of Ilāvatī in Kuśadvīpa, once put a volley of questions to Vasiṣṭha. What remains when the world is destroyed, and from what is it remade? How can formless merit and demerit build a new body after death? Why does the sky not fill with moons when so many moon-worshippers die hoping to become one? How did both the blessing and the curse come true for the Brahmin brothers who ruled the earth from inside their houses? Vasiṣṭha answers that whatever appears in consciousness is taken as real, and that what we call a body is that very idea. The world is the imagined city of the divine mind. The living and the dead both see it as one sees in a dream, the dead carrying their impressions with them. Rebirth is a delusion that lasts until knowledge and the absence of desire end it. Reward and retribution follow because law is planted in the mind itself. Mitra titles the questioner 'the Buddhist', but Vasiṣṭha calls materialists frogs in a dark cave and refuses to talk with them.

What it teaches

  1. 01

    Conviction, not examination, gives the world its weight: whatever appears in consciousness 'is thought as real as it seems to be, without our consideration of its true nature' (VI.2.207.3).

  2. 02

    What we call the body is the idea of the body: 'it is this erroneous consciousness of anything, that is believed as its body' (VI.2.207.5).

  3. 03

    Impressions outlive the occasion that made them. The dead see the empty air as their world from the impressions they carry (VI.2.207.33–34), and the delusion lasts until knowledge and the absence of desire end it (207.36).

  4. 04

    Consequence is internal: laws 'are implanted in the human soul', and the mind is aware of what it deserves wherever it goes (VI.2.208.17–19).

  5. 05

    Argument has limits. Vasiṣṭha will not debate those who are 'intoxicated without intoxication' (VI.2.207.11). The tale is not a model of agreement between schools.

The Vāsiṣṭha Atlas

This tale’s coordinates

The wound and its virtue

Prajñapti's questions circle merit, demerit and retribution: how formless deeds can build a body after death, and how both the blessing and the curse came true for the Brahmin brothers (VI.2.206.29), the scrupulous fear of what one's acts will earn. Vasiṣṭha moves the judge inside, laws 'implanted in the human soul' (VI.2.208.17–19), and shows the cycle released by 'knowledge of truth and absence of desire' (VI.2.207.36): Forgiveness as freedom from a self-imposed sentence rather than a pardon from outside.

What it trains

The final answer, that the viewer 'supposes itself to be the view' (VI.2.208.21), undoes the self-reference on which every one of the king's questions rests.

In other yogas

  • Patañjali · Yoga Sūtra · YS 2.17

    Patañjali names the conjunction of seer and seen as the cause of suffering to be avoided. Vasiṣṭha's summit answer, the viewer taking itself for the view (VI.2.208.21), is that conjunction stated in Vasiṣṭha's own terms.

  • Buddhist absorption · MN 63

    In the Cūḷamālukya Sutta the Buddha declines speculative questions about the world and the afterlife, comparing them to a wounded man who will not have the arrow drawn. Vasiṣṭha answers the king, but like the Buddha he refuses debate with those 'intoxicated without intoxication' (VI.2.207.11).

  • Bhagavad Gītā · BG 2.22

    The Gītā pictures rebirth as the embodied self casting off worn-out bodies like old clothes. Vasiṣṭha goes further and treats the body itself as 'this knowledge (or the idea) of a thing in the mind' (VI.2.207.5), so that the clothes are themselves ideas.

IEAF: Integrative Emotional Alchemy Framework (Gallardo, Frontiers in Psychology, 2026). FP20: the Fundamental Peace Scale. ITM: the Integrative Transformation Model. Parallels in other yogas are contemplative correspondences, not claims of influence.

The tale

Vasiṣṭha told Rāma that the only true reality is the supreme Brahma, and that the uncreated show of creation is nothing in itself. Someone had once questioned him on exactly this, he said, and he would relate it to strengthen Rāma's understanding.

There is a great island called Kuśadvīpa, ringed by seas and famous in all three worlds. On its north-eastern side lies the city of Ilāvatī, encircled by gold-gilded pillars whose radiance reaches from earth to sky. A prince named Prajñapti once ruled there like Indra in heaven. Vasiṣṭha came down into his presence, as the sun descends at the end of an age. The king honoured him with flowers and gifts, seated him beside him and, as they talked, began to ask.

What becomes of the world after everything is destroyed, the king asked, when every cause of re-creation has vanished into the void? What then causes things to be made again, and from what do they rise? What is the world, what was the primal chaos, what holds up the seas, and what is hell, crawling with worms? Who made all this, and who witnesses it? He was sure, he said, that the world can never be finally destroyed. The Vedas and śāstras contradict one another, and each makes its own supposition.

The questions kept coming. After the body is burned, what form do the damned take? Virtue and vice are formless; how can they be the causes of a new physical body, when matter cannot come from no-matter? Yet to deny a future state goes against scripture and common sense. How did the stone pillars of his city turn to gold at a Brahmin's word, without gilding? If people get their wishes in the next life by dying at holy places, why is the sky not filled with moons, when moon-worshippers die every day hoping to become bright orbs? What was the difference between the blessing and the curse on the Brahmin brothers, who ruled the seven continents while never leaving their house? And what good are charity and austerity if their reward goes to some future body that no one here cares about?

Vasiṣṭha answered. All the entities of the world are nullities, though they appear real to consciousness. Whatever appears in consciousness is taken to be as real as it seems, without anyone examining its nature. The idea of a thing, in waking or in dream, is what people call its body; there is no other solid body. The world shines like the sights of a dream, and since nothing could have caused it materially, it is a dream's phantom. This pure knowledge of the universe is Brahma himself.

Then Vasiṣṭha's tone hardened. Those who deny the one Being in every consciousness are like frogs croaking in dark caves. Those who make the gross body the cause of consciousness are 'intoxicated without intoxication' and not worth talking to. Mitra's gloss names such a man 'the Buddhist or Charvaka': he trusts only his senses and is blind to past and future.

The world, Vasiṣṭha went on, is the imagined city of the divine mind in the form of Brahmā. Whatever is imagined there seems present, as your own fancies seem present before you. The living see a solid world, and the dead see one too, because they carry their impressions with them. A sleeper sees his dream as real, and the unenlightened see the waking world in the same way. The departed soul imagines its own rebirth, and it will not be freed from that delusion until knowledge and freedom from desire release it.

As for unseen reward, the world is the city of the divine will, ordered as you order your own house. That will is present everywhere and knows every place. Laws and prohibitions are planted in the human soul, and the mind is aware of what it deserves wherever it goes. The soul never truly sets or rises. Taking itself to be the view instead of the viewer, it thinks itself born, living and dying.

The text speaks

Passages from Mitra’s translation (1891–99), cited by book, chapter and verse.

“Should the wishes of men, be crowned with success in their next lives; then tell me sir, why the sky is not filled with myriads of moons, when the worshippers of that luminary, are daily seen to be dying with the expectation, of becoming a brilliant orb like it, in the next state of their existence in heaven.”
VI.2.206.26The king's sharpest objection to wish-fulfilment after death.
“Say sir, what is the difference between the blessing and curse, which are pronounced on the Bráhman brothers, for their sovereignty over the seven continents on the one hand, and their having no such thing on the other; when they remained thinking themselves as monarchs of the world in their very house.”
VI.2.206.29An explicit link to tale 61, read here as a puzzle about suggestion and reality.
“Whatever appears in any manner in our consciousness, (either as existing or non-existent, or as so and so); the same is thought as real as it seems to be, without our consideration of its true nature of a reality or otherwise.”
VI.2.207.3The core answer: appearance in consciousness is taken as reality.
“It is this knowledge (or the idea) of a thing in the mind, either in waking or dreaming, that they call to be its body; hence it is this erroneous consciousness of anything, that is believed as its body, and there is nothing else beside this that they call a solid body.”
VI.2.207.5The body is identified with the idea of the body.
“They are giddy with their wrong notions, and are not worthy of our discourse; because no conversation can be held with them that are intoxicated without intoxication, and are learned with their ignorance or learned fools.”
VI.2.207.11Vasiṣṭha refuses to debate materialists, against the first pass's 'schools agree' reading.
“The soul never gets rid of this delusion of its regeneration, (and of its desire of renovation also), so long as it neglects to resort to the means, of obtaining its salvation and final liberation; it is by means of its knowledge of truth and absence of desire, that is freed from its error of reproduction.”
VI.2.207.36Rebirth is an imprint that persists until it is cancelled by knowledge.
“As from being the viewer, it supposes itself to be the view, and thinks its imaginary world as a visible phenomenon; (_i.e._ believes itself both as the subjective as well as objective); so it thinks itself to be born, living and dying (by the like error of its own).”
VI.2.208.21Birth and death follow from mistaking the viewer for the view.

What the trance sees

HAL

Positive or negative hallucination

VI.2.207.21–22

In the text'Whatever is imagined in the imaginary city of Brahma, the same is conceived as existent in reality; as you conceive the objects of your desire or fancy, to be present before you in actuality'. Mitra's gloss: 'The thought of a thing appears as the thing itself'.

In the clinicSuggested positive hallucination, the imagined object experienced as present, as tested by the hallucination items of the Stanford Hypnotic Susceptibility Scale, Form C (Weitzenhoffer & Hilgard 1962).

PHS

Post-hypnotic carry-over

VI.2.207.33–36

In the textThe dead 'deem the empty void of air as the world of their departed spirits', because, in Mitra's gloss, they bear 'those impressions with them even to the next world'. The soul 'never gets rid of this delusion of its regeneration' until knowledge and the absence of desire free it.

In the clinicThis is post-hypnotic persistence: an implanted impression keeps operating after the state that installed it has ended, until it is explicitly removed. It parallels the clinical rule of cancelling suggestions before the session closes.

WIT

Witness position / dis-identification

VI.2.208.20–22

In the text'The soul never sets nor rises'. Only 'from being the viewer, it supposes itself to be the view', and so 'thinks itself to be born, living and dying'. When it withdraws its reflection, it rests in quiet.

In the clinicDis-identification of the observer from the observed, the decentring or self-as-context of Acceptance and Commitment Therapy (Hayes, Strosahl & Wilson 1999), applied here to the fear of death.

Read upward — stage 1 at the bottom, stage 7 at the top

  1. Integration zone
    Self-inquiry joined to guided suggestion — narrative reframing and Socratic dialogue inside a gently focused state.

A note on what this map claims. The alignment between stages of knowledge and trance depths is a clinical map — a heuristic correspondence proposed for research, not a claim of identity between contemplative attainment and hypnotic depth.

Bhūmikā 2 · Vicāraṇā

The king is wholly in vicāraṇā, inquiry: more than twenty questions about creation, death, karma and wishes (VI.2.206.8–32), asked 'in my inquiry after transcendental truth' (206.34).

Zone · Light

This is philosophical dialogue in waking consciousness. No trance event occurs, and the phenomena are described doctrinally.

In Mitra’s words

In Calcutta in the 1890s, the translator chose the vocabulary of hypnotism to name these states. More →

  • reveries of dreamHence this earth and the skies, these hills and cities, are all but appearances in the void of the intellect, and conception of your mind, as those appearing in the reveries of dream, or as air built castles.VI.2.207.19

In the therapy room

Indications

  • Clients whose distress takes the form of endless metaphysical questioning: honouring the inquiry while moving from questions to the questioner
  • Fear of death, of afterlife punishment, or scrupulosity about merit and sin, reframed as impressions the mind carries
  • Psychoeducation that perception is conviction: what appears in consciousness is taken as real
  • Body-image work: 'the idea of a thing... that they call to be its body' (VI.2.207.5)

Cautions

  • Do not present this tale as a template for respectful dialogue between frameworks (CBT, mindfulness, other faiths): the text is polemical and dismissive of materialists
  • For scrupulous or guilt-ridden clients, 'laws implanted in the soul' (VI.2.208.19) may be heard as accusation; stress the release by knowledge (207.36)
  • The 'body is only an idea' teaching can unsettle clients with derealisation or eating disorders; use it with great care
From the bookThe full clinical note

Indications. Clients whose distress takes the form of endless metaphysical or existential questioning: honour the inquiry, then move from the questions to the questioner. Fear of death, of afterlife punishment, or scrupulosity about merit and sin, reframed as impressions the mind carries. Psychoeducation that perception is conviction: what appears in consciousness is taken as real (207.3).

As metaphor. The king's moon question (206.26) is a gift to a client stuck in magical thinking: it is the client's own scepticism, voiced by a king. Vasiṣṭha's answer, that the dead live in the worlds their minds make, can be offered as a reframe for anticipatory dread: the world we fear is made of what we carry.

Cautions. Do not present this tale as a template for respectful dialogue between frameworks (CBT, mindfulness, other faiths): the text is polemical and dismissive of materialists (207.9–14), and its attribution to "the Buddhist" is the translator's, not the text's. Contempt is not a clinical stance, even when a sage uses it. For scrupulous or guilt-ridden clients, "laws ... implanted in the human soul" (208.19) may be heard as accusation; stress the release by knowledge (207.36). The teaching that the body is "this erroneous consciousness" (207.5) can unsettle clients with derealisation, depersonalisation or eating disorders; screen for these and use the teaching with great care, or not at all.


The practice

From the Questions to the Questioner

  1. Settle and let all your large questions come, one after another, as the king's did (VI.2.206.8–32).
  2. Hold each question as a bubble in awareness, without answering it.
  3. Notice that each question, and each answer you imagine, appears in consciousness and is taken as real (207.3).
  4. Turn from the view to the viewer and ask who is asking (208.21).
  5. Let the questions subside the way an imagined city is built and broken at will (208.12–13).
  6. Rest in what 'never sets nor rises' (208.20).
  7. Return: choose one question to carry as inquiry rather than anxiety, feel your body and the room, and open your eyes.

Practise with a qualified professional if you have a history of dissociation, trauma or psychosis.

From the book · to be read aloudThe full guided script

From the Questions to the Questioner

Read slowly, aloud; about twelve minutes.

Before you begin. This is a light, reflective practice. If questions about death or punishment frighten you deeply, or you have obsessive doubts that grow when attended to, practise with a clinician. If you are prone to feeling unreal, keep your eyes half open. Sit in a safe place; never practise while driving.

How to return at any moment. Press your feet down, say "I am here," count from one to five and open your eyes.


Sit, and let the breath slow. Let the eyes close.

Let your large questions come, the ones that wake you at night. One after another, as the king's did. What happens at the end? Why this? Why me? What is it all for? Let them come. You need not answer any of them.

Breathe out.

Hold each question for a moment as a bubble in awareness. Watch it rise. Watch it float. Do not answer it. Let the next one come.

Notice that each question appears in awareness, and seems as real as it feels. Notice that every answer you imagine appears there too, and seems real while it lasts.

Now turn, gently, from the questions to the one who is asking. Not what, but who. Who is it that holds all these questions?

You do not need a word for it. Notice only that it is here, and that it is not one of the questions.

Let the questions settle, the way a city built in imagination can be let go of, without loss. Let them rest, like children's houses of mud left on the shore.

Rest as the one who watches. It does not set. It does not rise. It is simply here.

(Silence: one minute.)


One. Choose one question to carry, not as a worry but as an inquiry. Hold it lightly.

Two. Feel your body on the seat, solid and present.

Three. Feel your feet on the floor.

Four. Hear the room. Take a full breath.

Five. Open your eyes, fully alert.

Say your name, the day and where you are. Name three things you can see. If any question feels heavier than before, write it down and leave it on the page for today.

Meta Pets World · Your ally · Meta Pet 63

A king's questions climb to the questioner

Reaching the Peak card
63Reaching the PeakI reach the peak of my becoming.

Reaching the Peak walks with King Prajñapti because his tale is a climb made of questions. His volley of doubts about death, rebirth and the moon-worshippers is Doubt; Vasiṣṭha's patient answering, question by question, is Inquiry; and the single answer at the summit, that the mind makes its world and the viewer has mistaken itself for the view, is Truth.

  1. Shadow · what you avoidDoubt

    Doubt: the king fires question after question, down to 'why the sky is not filled with myriads of moons' when so many moon-worshippers die hoping to become one (VI.2.206.26).

  2. Gift · what is hidden in itInquiry

    Inquiry: Vasiṣṭha takes each question to its root: 'whatever appears in any manner in our consciousness ... the same is thought as real as it seems to be' (VI.2.207.3).

  3. Essence · what you embodyTruth

    Truth: 'from being the viewer, it supposes itself to be the view' and so 'thinks itself to be born, living and dying' (VI.2.208.21); knowledge and the absence of desire free it (VI.2.207.36).

A king arrives with a whole basket of questions, even one about why the sky isn't full of moons. Bring yours too. Then try turning around: who is doing the asking?

— Felicia
Today’s contemplation

At the peak there is nowhere to go but everywhere: when every question has been asked, who is the one asking?

To close the night

Tonight, write one honest sentence about a doubt you carried today, and whether it was inquiry or anxiety.

The Ally Journey · about 15 minutes

Light trance, eyes open if you prefer. For the full, deeper script, see “The practice” above and its cautions.

  1. Threshold. Sit upright and at ease, eyes open or lowered. Take three slow breaths, the Umbral, letting each thought pass like a cloud across a mountain.
  2. The tale in one line: King Prajñapti puts a volley of doubts to Vasiṣṭha, about death, rebirth and why the sky holds only one moon, and every answer returns to the mind that makes its world (VI.2.206.26; VI.2.207.3).
  3. Meet the card. Look at the art of Reaching the Peak and let your eyes rise to its summit. Read the affirmation: 'I reach the peak of my becoming.'
  4. Shadow. Which doubt kept circling this week, about your abilities, a decision, the meaning of it all? Name it as a question, and notice whether it feels like curiosity or like fear.
  5. Gift. Let your large questions come, one by one. Hold each like a bubble without answering it. Notice that each appears in awareness and is taken as real, then let it float.
  6. Essence. Turn from the questions to the one who asks. Rest there for three breaths, in what neither rises nor sets, saying: 'I reach the peak of my becoming.'
  7. Return. Choose one question to carry as inquiry rather than anxiety. Feel your body and the room, open your eyes fully, and write tonight's honest sentence.

The 30-day Bond

At the peak there is nowhere to go but everywhere: each day of the Bond, take one doubt to the summit and ask who is asking.

The Sister · Dezbah

Diné (Navajo) · Window Rock, Diné Nation, Arizona · Hózhǫ́ — Hózhǫ́ — Hózhǫ́

Visit Dezbah, the Diné singer-healer of Window Rock, whose chant 'Hózhǫ́' names the beauty and balance in which a truthful mind can rest once its questions have been sung through.

Guided Meditation

#63 · Reaching the Peak

Voice & guidance: Prof. Luis Miguel GallardoWatch on YouTube (ES also available)
For facilitatorsA session with “The Great Inquiry: King Prajñapti's Questions” and Reaching the Peak

Aim. To help the client turn persistent doubt into living inquiry, and inquiry into rest in the awareness that asks.

ITM 5 Transcendent Integration. The tale's last move turns from the view to the viewer (VI.2.208.21), the work of Transcendent Integration; at light depth it is safe, and it serves best clients whose doubts are philosophical rather than anxious.

The session (60–75 min)

  1. Arrival and Umbral (5 min): three slow breaths; ask the client to write down their three largest questions.
  2. The tale (5 min): Prajñapti's volley (what remains when the world ends, how merit builds a body, why moon-worshippers do not become moons, how both blessing and curse came true for the brothers) and Vasiṣṭha's answer that the mind makes its world. Name the tale's polemic honestly. Point to the tale page for the full text.
  3. The card (8 min): Reaching the Peak, its affirmation and koan. Ask what 'everywhere' might mean at the summit of a question.
  4. Shadow inquiry (12 min): sort the client's doubts into those that paralyse and those that open. With guilt-prone clients, stress that knowledge releases rather than accuses (VI.2.207.36).
  5. Trance practice (20 min): 'From the Questions to the Questioner', from the full guided script on the tale page, at light depth, the tale's own level: questions held as bubbles, the turn toward the asker, rest.
  6. Gift and Essence integration (10 min): choose one question to carry as inquiry this month and design one small way to explore it; say the affirmation.
  7. Closing and Bond (5 min): body, room, eyes open; assign the 30-day Bond with Reaching the Peak and its daily koan.

Integration questions

  • Which question softened when you held it without answering?
  • What did you find when you turned toward the one who asks?
  • Which single question will you carry as inquiry this month, and how will you explore it?

In a circle

In a circle, ask everyone to write their largest question on a card and place it face down in the centre. Tell the tale with Prajñapti's questions read aloud as a litany. Lead the practice at light depth for about fifteen minutes. Afterwards, draw cards at random and read each aloud; the circle answers nothing and simply holds one breath of silence after each. Then invite anyone who wishes to say what they noticed when they turned toward the asker. Make clear that the tale's dismissal of materialists is not a model for how the circle treats differing views, and close with the koan spoken together.

Cautions

  • Do not present this tale as a template for respectful dialogue between frameworks: the text is polemical and dismissive of materialists.
  • For scrupulous or guilt-ridden clients, 'laws implanted in the soul' may be heard as accusation; stress the release by knowledge (VI.2.207.36).
  • The teaching that the body is only an idea can unsettle clients with derealisation or eating disorders; use it with great care.

Training and certification in the Meta Pets Method: metapetsworld.org/facilitators ↗

The correspondence between tales and Meta Pets is contemplative: the Yoga Vāsiṣṭha does not contain the Meta Pets; each tale enacts its ally’s arc. Felicia is an artificial-intelligence companion; her words are contemplative reflections, not clinical advice.

The song

From the cycle The Sixty-Four Tales

Why the Sky Is Not Full of Moons

Satyaṃ jñānam anantaṃ brahma

Figure — King Prajñapti of Ilāvatī in Kuśadvīpa, who asked everything, and Vasiṣṭha, who gave him one answer.

Where in the text — Book VI (second half, Nirvāṇa-prakaraṇa), Mitra chapters 206–208.

Hypnotic phenomenon the song enacts — HAL and WIT: the king's questions pile up fast and crowded, a moving view in which the thought of each thing stands up as the thing; the sage answers from one still, low note, the viewer that never sets and never rises, and the song slows until both voices breathe at one pace and open their eyes.

Mantra — Satyaṃ jñānam anantaṃ brahma (सत्यं ज्ञानमनन्तं ब्रह्म). Source: Taittirīya Upaniṣad 2.1.1 (Brahmānanda Vallī), quoted in this very passage in Mitra's gloss on VI.2.207.7. Meaning: "Brahman is reality, knowledge, the infinite": the one answer under all the king's questions.


Lyrics (English)

Performance: the king (tenor) sings fast and crowded over quick tabla, the questions tumbling over one another; Vasiṣṭha (bass) answers low and slow, close to one note, over the drone alone, and does not hurry. In the outro the two voices meet at the pace of breathing.

Verse 1 (the king) Gold-gilt pillars ring my city, blazing up from earth to sky; you came like the sun on the last day. Sit. Take flowers. Tell me why: when all is ash and void, what's left to make the world again? Who made all this? Who watches it?

Verse 2 (the king, faster) When the body burns, what body goes to hell? Sin and merit have no shape: how do they make bones? How did stone turn gold at a Brahmin's word? If the dying get their wish, why is the sky not full of moons? The brothers who ruled the earth from home: blessing, or curse?

Chorus (Vasiṣṭha) A city built in the air, a mud house boys have made, the dream the sleeper takes for ground: the thought of a thing stands up as the thing. A gem holds its own light and shade. You never set, and you never rise.

Verse 3 (Vasiṣṭha) Some say the body makes the mind: frogs croaking in a dark cave, drunk without wine. With them I do not talk. The living see a solid world; so do the dead, who carry hills and cities with them into the empty air, until knowing, and wanting nothing, set them free.

Chorus

Bridge (mantra) (both voices) Satyaṃ jñānam anantaṃ brahma (Real, knowing, endless: Brahman) Satyaṃ jñānam anantaṃ brahma

Outro (both, at the pace of breath) You took yourself for the view; you are the one who looks. The mind opens: the world. The mind closes: gone. Breath goes out, comes in, as wind moves, and is still. Open your eyes: the pillars, the hall. Go in to your house; set your children and your things as you please.


Letra (castellano cantable)

Interpretación: el rey (tenor) canta rápido y apretado sobre una tabla veloz, las preguntas atropellándose; Vasiṣṭha (bajo) responde grave y lento, casi en una sola nota, solo sobre el bordón, sin prisa. En el final las dos voces se encuentran al paso de la respiración.

Verso 1 (el rey) Columnas doradas ciñen mi ciudad, ardiendo de la tierra al cielo; bajaste como el sol del último día. Siéntate. Toma flores. Dime: cuando todo es ceniza y vacío, ¿qué queda para volver a hacer el mundo? ¿Quién hizo todo esto? ¿Quién lo mira?

Verso 2 (el rey, más rápido) Cuando arde el cuerpo, ¿qué cuerpo va al infierno? Pecado y mérito no tienen forma: ¿cómo hacen huesos? ¿Cómo se hizo oro la piedra con la palabra de un brahmán? Si los que mueren logran su deseo, ¿por qué el cielo no está lleno de lunas? Los hermanos que reinaban la tierra desde casa: ¿bendición, o maldición?

Estribillo (Vasiṣṭha) Una ciudad alzada en el aire, la casa de barro de los niños, el sueño que el dormido toma por suelo: la idea de una cosa se pone en pie como la cosa. La gema guarda su luz y su sombra. Tú nunca te pones, y nunca sales.

Verso 3 (Vasiṣṭha) Hay quien dice que el cuerpo hace la mente: ranas que croan en una cueva oscura, ebrios sin vino. Con ellos no hablo. Los vivos ven un mundo sólido; también los muertos, que llevan montes y ciudades consigo al aire vacío, hasta que el saber, y el no desear, los dejan libres.

Estribillo

Puente (mantra) (las dos voces) Satyaṃ jñānam anantaṃ brahma (Real, consciente, sin fin: Brahman) Satyaṃ jñānam anantaṃ brahma

Final (las dos, al paso del aliento) Te tomaste por lo mirado; eres el que mira. La mente se abre: el mundo. La mente se cierra: nada. El aire sale, entra, como el viento se mueve, y se calma. Abre los ojos: las columnas, la sala. Entra en tu casa; pon a tus hijos y tus cosas como quieras.


One line to carry

EN: You never set and never rise: you are the one who looks. ES: Nunca te pones ni sales: eres el que mira.


Libreto note

A king in a city of gilded pillars throws question after question at Vasiṣṭha: what remains when the world ends, how shapeless merit can build a body, why the sky is not full of moons when moon-worshippers die every day. Vasiṣṭha gives one answer, slowly: whatever shows itself in consciousness is taken as real, and the dead carry their world with them as the living do. He will not argue with those who say the body makes the mind. The healing turn is from the view to the viewer, who never sets and never rises. The king sings fast over tabla, the sage slow on one note, until both breathe at one pace and open their eyes.


Source check

Source check (Mitra, Book VI second half)

  1. The city and the arrival — Ilāvatī "beset by a colonnade of pillars, gilded all over with gold, and glittering with radiant beams, reaching from earth to the skies"; "I happened to alight at the presence of this prince; as the sun descends on earth on the last day of desolation"; "adored me with offerings of flowers… made me sit by him" — ch. 206, vv. 4–7.
  2. The questions — what becomes of the world "after the destruction of all things", whence its recreation; "who is the maker of all these, and who is their witness" — ch. 206, vv. 8–12; bodies "doomed to dwell in hell" after cremation; virtues and vices "both of them formless things" cannot form "corporeal frames" — vv. 15–17; "the pillars of stone were converted to gold (by word of the Bráhman)" — v. 20; "why the sky is not filled with myriads of moons" — v. 26; the Brahmin brothers "thinking themselves as monarchs of the world in their very house" — v. 29.
  3. The refusal — deniers like "the croaking frogs dwelling in the recess of dark caves"; those who take "the gross body, as the cause of consciousness" are "not worthy of our discourse… intoxicated without intoxication" — ch. 207, vv. 9–11, 14.
  4. Thought, dream and the dead — "The thought of a thing appears as the thing itself" (gloss) — ch. 207, v. 21; "as the sleeping man sees the visionary world of his dream, in the light of a real existence… so do the souls of the dead, deem the empty void of air as the world"; the open air appears "full of mountains" to the departed, who bear "those impressions with them"; freed "by means of its knowledge of truth and absence of desire" — ch. 207, vv. 33–36.
  5. The viewer — "the mud built house of playful boys, and the air drawn castles"; "you build and break your imaginary city in the air" — ch. 208, vv. 12–13; "as a brilliant gem reflects its light and shade within itself" — v. 18; "The soul never sets nor rises"; "from being the viewer, it supposes itself to be the view" — vv. 20–21; "the gaping and closing of the intellect, which causes the appearance and disappearance of the world" — v. 9; "as oscillation and calm are congenital with air (or as respiration and inspiration with breath)" — v. 23; "as in your own house, you are master of the direction of your offspring, and of the disposal of your things" — v. 4.

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Source: Vihari-Lala Mitra, The Yoga-Vasishtha Maharamayana of Valmiki (1891–99), public domain.

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